In the album Thriller, released in 1982, Michael JacksonвЂ™s song вЂњWanna Be StartinвЂ™ SomethinвЂ™вЂќ includes the refrain, вЂњMama-say mama-sah ma-ma-coo-sah.вЂќ Music experts believe Mr. In turn, makossa, a Cameroonian genre popularized internationally by saxophonist Manu Dibango, contributed to the emergence of disco in the US through his song вЂњSoul Makossa.вЂќ The song is still performed today, and it has inspired other pan-African genres such as soukous, makossa and coupГ© dГ©calГ©. The song quickly gained continentwide appeal during a period when several other African countries were in the process of gaining independence from colonial rule. вЂњIndГ©pendance Cha Cha,вЂќ performed by Joseph Kabasele (known by his stage name Le Grand KallГ©), was composed and performed for the first time in 1960 to celebrate the imminent independence of the former Belgian Congo (present-day Democratic Republic of Congo). Its call-and-response pattern comes from African Bantu tradition. Among its fundamental Hispanic components are the vocal style and lyrical poetry of the songs. Son originally played the function of telling the news of the countryside. The Congolese rumba is an example of the round-trip phenomenon. Music experts have coined the phrase вЂњround-trip phenomenonвЂќ to refer to rhythms and sounds that travel before returning to their source.

El son cubano is a quintessential Afro-Cuban song style (the term can refer to a dancing style as well). But it is also true that a lot of modern African music owes a lot of its influences to salsa and el son cubano,вЂќ says Angel Romero Ruiz, founder and senior editor of World Music Central, a US-based online magazine dedicated to world music. вЂњIt is well known that salsa and Caribbean rhythms have African roots. The enduring popularity of salsa and the recent emergence of genres such as AfroSoca in the Caribbean signal the resilience of African and Africa-inspired arts and culture throughout centuries, sometimes amid challenging circumstances. In July 2016, AngГ©lique Kidjo teamed up with several New YorkвЂ“based Cuban musicians to perform a tribute to the late Celia Cruz before taking the show on the road across the US, Europe and Asia. Kidjo remembers, referring to Celia Cruz, often called the вЂњQueen of Salsa.вЂќ вЂњAs I was listening to Celia, I could hear Africa,вЂќ Ms. Growing up in Benin, AngГ©lique Kidjo, now an internationally acclaimed artist and another UNICEF Goodwill Ambassador, felt a strong connection to salsa. In early 2010, some of AfricaвЂ™s renowned salsa vocalists joined forces with New YorkвЂ“based musicians to form Africando, a group that successfully brought African-flavored salsa to the global music market. Others include the Rail Band in Bamako and Orchestre Poly-Rhythmo de Cotonou. Salsa music has remained popular in West Africa since it was introduced in the region in the 1950s, reportedly by sailors.ДЇrom LomГ© to Bamako in Mali, Conakry in Guinea, Cotonou in Benin and Dakar in Senegal, live bands have gained international fame playing catchy Cuban dance tunes.ДЄmong the well-known bands incorporating the Cuban groove are Orchestra Baobab and Le Super Etoile de Dakar, the latter famed for mbalax and Latin-influenced dance music, in which Senegalese superstar Youssou NвЂ™Dour, who is also a UNICEF Goodwill Ambassador, shot to fame.

Lassey says, salsa is вЂњby far the most requested during our live performances.вЂќ вЂњWe play all kinds of music: reggae, gospel, salsa and others.вЂќ вЂњThis is my fatherвЂ™s bar and we play here every Sunday evening,вЂќ George Lassey, the bandleader, told Africa Renewal. The weather is cool, the air filled with a misty marine breeze coming from the roaring Atlantic Ocean.ДЄcross the street, onlookers marvel at the colorful dresses and practiced dance moves and watch as patrons nibble on finger food and wash it down with beer, whiskey and soft drinks.ДЄ few minutes earlier, the band had played an up-tempo reggae tune and a highlife rendition of a Christian hymn, but it was the sound of the Afro-Cuban rumba that got people spinning, shimmying and swinging their hips on the now-crowded dance floor. The lyrics are in Mina, a local language in southern Togo and parts of neighboring Benin, but the music is unmistakably Afro-Cuban, a genre with global acclaim. ItвЂ™s Sunday night at Aba House, an open-air bar in LomГ©, TogoвЂ™s capital, and stylish young men and women in modern African dress fill the dance floor as the bass guitarist pumps up the tempo.

Yahweh mali music bass